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    Lust,Caution, A woman's tragic love story (By Gemrain)

                   ------- By Gemrain

    I agree with your review.

    In the movie, Lust Caution, she lost her virginity for the mission to serve her country. In Chinese culture that's a big sacrifice for a virgin considering virginity is still valued a lot today in China and probably it was more back then. She obviously chose her mission for her country over her own personal loss. However, in the end she had to choose between either her life or his life between either fail the mission she it supposed to accomplish or let him go, she chose to let him go only because she thought he loves her. for him or we can say for his love, she chose to lose everything.

    I believe the director wanted to show that he has feeling for her. One is she sang for him in the Japanese restaurant, he had tears. Another may sound materialistic, but hey sometimes it doesn’t admit it or not that's the way we look at things-- he bought the diamond that he would not buy for his own wife.

    I believe she probably didn't plan to fall in love with him. Her task is just to have him killed. but in order to gain his trust she had to play this dangerous game not only with her body but also with her heart. She opened her not only her but also her heart to him. She must made herself venerable in order to complete this task, but this venerability is fatal to successfully carry out this task when she falls too deeply emotionally, so she fell and failed.

    The movie also depicts that she lost her mom early and doesn't get much love from her father and family. She was on her own there, but the love she received from Mr. Yi is actually something she probably, actually every woman or man yearns to have-- to have someone deeply love you, value you, and care you. for a person like her who doesn't get so much love from any place else, the lack of emotional care makes her more venerable to sacrifice for love or heartfelt emotions she receives.

    In Zhang Ai Lin's novel, it says it's hard to love for a girl like her because she is strongly immune to be moved by love. I agree that good-looking girls normally are difficult to fall in love and trust men.

    So for her, on one hand she longs for love and care because it’s lack in her life, but on the other hand she cautions against men, however, even the most strong-minded girl/woman, she will give in to someone if the right person moves her and opens her heart. Once she does, she gives all she has. So when choose between her life or his life, she chose to die for him.

    This is a woman's tragic love story.

    ______________________________________

    关于《色戒》的影评贴出来后,Gemrain 有一篇很长的跟贴。我认为这是一部西方人很难懂的电影,处在西方文化,特别是好莱坞电影文化中的Gemrain能对《色戒》有如此细腻精致的领会,实属难得。非常感谢 Gemrain

    ______________________________________

    Ms. MANOHLA DARGIS wrote a movie critic on Lust Caution and expressed her negative opinion about this movie. The media reported her reivew as the representive of the attitude of the Western world.

    http://movies.nytimes.com/2007/09/28/movies/28lust.html

     

    Gemrain wrote the following article to New York Time in response to Ms. Dargis' negative review. Thank Gemrain for providing her opinion on this movie!

     

    ______________________________________________________

    Dear Editor:

     

    I saw the movie lust caution this past weekend then I read the new york times review of the movie today.  My first response is that Ms. Manohla Dargis must have seen a different lust caution from the one I saw.  The one I saw is electrifying, intense and emotional.  It’s a woman’s tragic love story.  The heroine’s persona development is fully shown and displayed in the movie.  The essence of the movie is the complicated relationship between men and women, in this movie, a particular woman and a man.  The movie is well made and full of meaningful details that would escape you if you don’t pay attention or are observant.  It also requires reviewer to be familiar with some Chinese history and culture in order to fully appreciate the beauty and implied meanings in this movie.

     

    I think it’s very sad that New York Time, such a reputable newspaper, has a review written by someone like Manohla Dargis whose brain is too small to understand the movie and whose knowledge and sophistication is too limited to see any complicated meanings below the surface.  The bottom line is that she is just not intelligent, intellectual and cultured enough to appreciate a fine movie like lust caution.  I am surprised to see she is a movie critic writing for NYT, a newspaper that I respect and thought is for intellect.  She complains the movie is boring.  I think she should begin to write the trashy gossip of Britney and Paris Hilton for national enquirer which has all the excitement she looks for and lacks real intellectuality which she can’t handle anyway.  That would a much better fit for her talent.   It’s an insult to New York Times to let someone like her to write reviews for well made movies such as lust caution.  I feel disappointed and sorry for New York Times that she writes for the paper and I feel sorry for her that she has a wrong job to write reviews for good movies.   

     

    I have something I want to say to dear Ms. Manohla Dargis.  Please, dear Ms. Manohla Dargis, I beg to do us and yourself a favor, quit your job at New York Times to have more fun to write some gossip trash that fits your born talent and taste perfectly at National Enquirer.  Thank you.

     

    Best Regards,

     

    A big fan of New York Times

                

    《色•戒》

    一个年轻女子和一个中年男子的感情战争

     

    在观看《色·戒》时,我不断在想影片到底要讲一个什么故事,看到最后,才恍然大悟。好的电影应该有多层次的故事结构,就是让人不会立刻琢磨透彻;看完再细想,才发现其实很有味道。所谓《色·戒》有人看到抗日除奸,有人看到美人计,有人看到床上戏,有人看到明星的某个部位,但我认为,影片细腻生动地描述了一个女人的情史。

     

    王佳芝感情历程中的男人是易先生和邝裕民,还有一个没有出现过的父亲,外加一个让她失贞的革命同志。每一个男人都让她实现一次感情蜕变。

     

    王佳芝到香港开始大一的生活,有个无意中的情节,她写信祝贺父亲要结婚了。更年轻的她应该有一段“恋父情结”的感情,父亲要结婚,她不得不面对空白的感情世界。这时候,英俊帅气的热血青年邝裕民出现在了面前,象很多刚入大学校门的女生一样,很快暗恋上他了。她其实并不在意抗日的政治目标,只是在邝裕民号召大家行动时,被他充满豪情的眼神所打动,而并不清楚即将面对一场极度危险的游戏。

     

    大学生们或多或少都在校园里实践着梦想,如米兰昆德拉所说,学生们认真扮演着一个个的小尼禄,其实是荒唐可笑的。邝裕民每每说要来真的,其实他更像是在演戏,一个主演是自己的戏;毕竟阅历不足,最后慌乱中杀了人,原来这个豪情万丈的暗恋对象竟如此不堪,他的高大形象在现实面前破灭了,于是就迷恋他的她清醒了。

     

    在回到上海遇到邝裕民之前,王佳芝形容枯槁,过着无聊的生活,也不介意学日语,而一场三年前未完成的感情游戏又让她重新唤起了激情。

     

    王佳芝本来抱着好奇和热情想认真表演一场游戏,结果遇到一个充满魅力城府极深的易先生,所幸没有初出茅庐就折戟沉沙,一方面是天生丽质,另一方面是表演天赋很高,而那时候的易先生,也没有修炼到出神入化的地步,差点就被一帮小屁孩儿给搞定了。而他们在三年之后相见的时候,双方的水平已经不能和从前同日而语了。王佳芝完全是命运使然,走上一条感情的不归路,她不得不和一个阅历比她丰富,比她残酷百倍的男人,继续这场游戏。

     

    如果说对邝裕民是小女生纯洁的迷恋,那对易先生的感情就完全始于粗暴施虐的性,后来才因日久生情,原始和野蛮的欲造就了离经叛道骇世惊俗的爱,违反了黑白忠奸分明的价值观,最终因为私情而误了国事。如原著所说,“她最后对他的感情强烈到是什么感情都不相干了,只是有感情。他们是原始的猎人与猎物的关系,虎与伥的关系,最终极的占有。”谁为猎物,谁为猎人,孰人能知?不到最后的时刻不会分晓,这正是这个故事的非凡张力所在。

     

    当王佳芝看到钻戒时,一定是意乱情迷了,她突然想,这个人是真爱我的。所以让他快跑,其实她可以逃掉,也可以让同僚们逃掉,但在外面迷乱了一小会儿,什么都没做,结果全部落网。她在封锁圈封上时,也想到了吞毒药,但却没有,一定是还觉得他是爱她的,可能会放过她的。

     

    男女之间是一场战争,看谁能让对方彻底的爱上自己。而《色·戒》讲述的就是一场生死攸关的致命爱情游戏,他们都想通过使对方爱上自己最终战胜对方;而这也是一场一个年轻女子和中年男子的感情战争,战争的结果必须有一个人死去,这也造就了这个故事充满残酷魅力的美丽。

     

    《色·戒》最精彩的就是人物的心理刻画,全是内心戏。汤唯的表演可以说非常精彩,把王佳芝作为一个女人的蜕变和内心世界展现的细腻生动,梁朝伟更是把易先生作为一个老牌特务的残酷隐忍和情丝微颤刻画的入木三分,王力宏所演的邝裕民不需要太多内涵,戏路倒很符合他的偶像形象。

     

    《色·戒》虽然有两个半小时,但一点都不觉得冗长,情节丝丝相扣,台词简洁生动。落在咖啡杯子上的红色唇印那么的韵味十足,在橱窗前迷离的倒影隐含着意识流的颤动,帷幕外狼犬手枪闪回映衬着屋内近乎绝望的激情,体现着电影的美和韵味;中环德辅道的电车,港大陆佑堂的舞台,民国的桌椅文具,老上海旧香港的街道,展示着道具布置的匠心独到。这一切都增添了观赏这部电影的美感和享受。

     

    这是一部很中国的电影,那些所谓的大陆著名导演,和李安比较的确还有距离,这不是靠大把投资,大腕明星,摄影技巧,商业包装就可以赶上的。真的应该为李安再次喝彩!

     

    P.S.: 现在的中国女人找男人越找越大(或者说成功男人找女人越找越年轻),电影行业就是标志,每每象汤唯这样一夜成名的女星无不是青春靓丽年轻可人,过了三十岁很少被人注意,这和西方电影届可大相径庭。让一个出道不久的年轻女演员经历那么多床戏 “蹂躏”,的确有点令人不忍。现实中的中国年轻女子们也不断在和成熟的中年男子在爱情游戏中过招,孰幸孰不幸?这不得不引发大家对中国男女地位的沉思。

     

    双城记

    从香港中心地带一直向北,象竹签一样直立的高楼逐渐稀少,视觉和心情逐渐被连绵的青山熨得稍有些倦怠的时候,突然一个巨大的城市出现在前方。不像寸土寸金的港岛和九龙,她以深圳河为界,毫不吝啬地铺陈在北方的陆地上,仿佛一只千军万马的部队,布防在前线,威风凛凛,虎视眈眈,蓄势待发,时刻等待着冲锋的号令,其实深圳就是这样一个以香港为目标的城市。

     

    香港最繁忙的地铁并不是上下班高峰期的中环和旺角,而是周日晚上的罗湖,人们成群结队,熙熙攘攘,大包小包,离开深圳回到香港,带着饮食购物,休闲娱乐,美容理发,桑拿按摩的满足,重新回到那个充满秩序和叮叮声的城市,继续在狭小空间里赚取那曾经令他们自豪的港币,然后大把大把地换成人民币,很快流到深圳的血液里,成就着这两座城市发育的经济动力。

     

    和中环旺角的地铁相比,罗湖的地铁大军中较少见到的是身着品牌服装有着良好教育的香港女孩,她们不愿意离开这个富足而狭小的购物饮食天堂,而她们身边那一群被游戏机和漫画书泡大的另一半,越来越不愿意取悦她们,反而钟情于来自那些被称之为“北姑”的内地女性,去年就有近三万香港人跨过这个边界娶了内地太太,而这些人已经不是香港女孩瞧不起的货柜司机,而是和她们有着同样薪水的白领男性。香港单身女性的数量越来越多,如果把婚姻当成是感情博弈的结果,显然高薪水和高教育已不是女人最有力的武器,她们还将在这场博弈中失去更多的优势。

     

    大部分的深圳人可能会认识一些香港人,但很少了解香港这个地方。为了去香港,他们不得不回到户籍所在地办理半年两次机会的签证,这对只有六分之一本地户口的深圳人来说,无疑是不大不小一个麻烦;而香港人只是需要身份证,八秒钟即可过关,想呆多久就呆多久。世界上可能没有两个近在咫尺的城市,有着相同的文化和面孔,但有着不同的个性,和单向的了解。

     

    香港过去的历史是服务西方白人的历史,他们有着准确严格的法律规范,精确入微的市政体系,身着考究的衣服,说着流利的英语,小心地避开对方的隐私,侃侃而谈红酒的品味,在西式派对中行为典雅精致,恰到好处的服务让人赏心悦目,而不远处的深圳虽然处处向香港看齐,在中国内地已是不易,还是远不能和香港同日而语。但这一切只是香港人的表象,他们对外人和蔼的外表下,有着极度柔和而坚硬的排斥感,他们小心翼翼地把工作和生活分开,下班后他们立刻进入自己的城池,计算一下房子和股票的价值,用极快的语言和直白的逻辑和自己的家人或不多的几个朋友交流,他们和善的外表下其实是很难接近的内心,保守自恋随性且玩世不恭,别人不容易进入他们的物质世界,更难进入他们的精神世界。

     

    香港人在自己的文化里无可逃避,他们必须在这个狭小的地方生存下去,而深圳人可以在随意地进入或者离开这个城市,这里可以重新开始,也可以重新结束。那些意气风发的大学毕业生们向往着深圳的创业氛围,和临近香港的国际诱惑来到了这里,在他们的第一个月工资发下来时,虽然在中国已经是不菲,才发现连半平米的房子都买不起,这里没有父母的单位分房,一切都要靠自己的辛勤工作,他们很快意识到白手起家的确不是一个只让人意气风发的词汇;那些从广大内地出来农村女孩,为了省下弟弟的学费,先是到连绵在深圳北边的无数血汗工厂打工,但迟早会依长相和年龄的区分进入到不同的服务市场,演绎出无数或离奇或心酸或丑恶或无奈的故事。如同所有的移民城市,金钱的力量把这里的温情脉脉打得粉碎,利益交换变得如此的有效和直接。

     

    中国的每个地方都有着自己的乡土文化,中国人可以离开自己的环境,却找不到可以容身的另一个城市,而深圳是却是独一不二的例外,如今的中国其实没有一个大型城市象深圳这样,没有历史,鲜有歧视,方言混杂,缺乏归属感,这里成为很多中国人探险和逃避的天堂。虽然深圳有着极度的不确定,但也给来自由选择的安全感,因为任何的错误伤痛不光彩都会被抹去,任何人可以重新开始。

     

    香港过去的职责是服务西方,他们不想看西方人的脸色了也只有忍着,他们没有其它地方可去;而深圳的职责之一也是服务香港,或许他们有一天也累了,可以选择带着赚的钱离开。所以,发现不对劲了,香港人会说,醒醒香港!深圳人会说,逃离深圳!

     

    深圳香港一体化的计划在香港这边一直都提不起兴趣,深圳人自由去香港的政策迟迟不被香港老百姓所接受。据说,主要是大部分的香港人认为很多小偷和性工作者都来自于内地,弄坏了这里的风气,但有趣的是没有人计较过二奶现象是否和香港人自由出入的关系,看来公平不公平是次要的,钞票的流动方向才是更重要的。

     

    虽然这两个近乎姐妹的城市还没有搞清相互的定位,却都面临着边缘化的尴尬,广州以珠江三角洲的领头羊自居,根本没有把深圳放在眼里,深圳的政策优势已经没有;香港引以自豪的行业,可能只有金融业还能保持几年确定优势,而上海新加坡已经在不断威胁着这一地位。清醒一点的深圳香港会很快意识到,他们的崛起并不是依靠自己有生俱来的卓越才智,而不过是历史长河中,命运女神的一段惠顾。他们或许需要考虑怎样才能继续占据中国经济伟大博弈中的领先定位,而经济的力量是如此强大,自满和犹豫的一瞬,或许早已成就沧海桑田的财富转移。